Julie Roset, high coloratura soprano, began singing at the age of six and received her diploma with high honors in the class of Valerie Marestin in 2016.
Introduced to the early music by Monique Zanetti in the Conservatory of Aix-en-Provence, she entered the Haute Ecole de Musique of Geneva and gets her bachelor’s degree in June 2019 with the high honors. She is actually in the Artist Diploma program at the Juilliard School of New-York in Edith Wiens’s class.
In 2016, she won several prices at the “Concours Jeunes Espoirs” of the Opera of Avignon : the French Center of Lyrical Promotion, the Audience’s Price and the Young Talent Price. In September 2019, She won three prices at the “Concours Corneille” : the Second Price, the Young Talent Price and the Audience’s Price, in addition with the Second Price of the “Concours Froville”.
On the operatic stage, she has interpreted Papagena in Die Zauberflöte from Mozart at the Opera of Toulon, Aurora and Giunone in La Finta Pazza from Sacrati at both the Opera of Dijon and the Opera of Versailles. She interprets Acqua in Il Diluvio Universale from Falvetti and participate to Nabucco by Falvetti in the role of Superbia. She makes her Opera Comique’s of Paris debut in the role of Amour in Titon & l’Aurore from Mondonville with Les Arts Florissants conducted by William Christie in January 2021. Recently, she was Galatea in Acis & Galatea from Haendel at the Juilliard School in May 2021. In July 2021, she was part of the production Il Combattimento, la théorie du cygnet noir with Ensemble Correspondances at the Festival of Aix-en-Provence.
In concert, she has appeared in baroque festivals with Cappella Mediterranea and interprets especially the Mass from Colonna at Ambronay, Bruxelles and at the Concertgebouw of Amsterdam, the B Minor Mass from Bach at Versailles and Dijon. She also sings with the Ensemble Clematis during the festival of Namur as well as Samson from Heandel with the Cav&ma at the festival of Beaune.
She collaborates with Holland Baroque on a program called Utrecht, Caravaggio Europa, but also with Les Argonautes, conducted by Jonas Descotte, with a concert around the integral of the motets from Bach at one per voice, and the Dixit Dominus from Haendel and Lotti. In 2019, she is member of the Aix-en-Provence festival’s Academie and sings under the conduct of Raphael Pichon, and participate to the IMA Academy (Internationale Meistersinger Akademie) in July-August 2021.
She recorded several times with Cappella Mediterranea, conducted by Leonardo Garcia Alarcon : in 2017, for Lettera Amorosa around Monteverdi, in 2018, for les Madrigaux from Arcadelt, CD that in part of a record box concentrated on his work. She is la Ninfa in Orfeo from Monteverdi, recorded in January 2020, but also a Philistine Woman in Samson from Haendel. Alongside with Clematis, she records her first soloist album Nun Danket Alle Gott in May 2020 at the label Ricercar. In September 2020, she participated at three recordings : Membra Jesu Nostri from Buxtehude with Ensemble Correspondances, Lamenti & Sospiri from Sigismondo d’India with Cappella Mediterranea and Brabant with Holland Baroque.
Upcoming, she will be Galatea in Acis & Galatea with the Philharmonic Orchestra of Radio France conducted by Leonardo Garcia Alarcon at the Auditorium of the Maison de la Radio in May 2022 and she will do her first Incoronazione di Poppea from Monteverdi in the roles of Amore and Valetto with Cappella Mediterranea in 2022.
February 24, 2022
Peter Jay Sharp Theater, with Juilliard 415
Conductor: William Christie
May 21, 2022
Maison de la Radio et de la Musique - Auditorium
July 3 to 18, 2022
Festival d'Aix en Provence, Aix-en-Provence, Théâtre du Jeu de Paume